He admits that outlaws are often violent, have masculine and macho characteristics and glorify theft and burglary. As a part of this, Parker asks why we still maintain a place for the erstwhile criminals in popular culture.
One reason, capitalism sells such artefacts to generate profit. He also argues how outlaws actually symbolize fantasies and safety valves where the oppressed society searches for freedom and non-routine.
Alternative Business - Outlaws, Crime and Culture (Electronic book text)
Having discussed the motives behind focusing on outlaws, he offers us typology of the analysed characters on the axes of countryside vs. But, for him, rather than this structural analysis, the counter-culture and its dynamics with respect to resistance promise much more to us. Indeed, according to him, it is worth finding the critical intentions in popular counter-culture.
Finally, the author, again admitting how his methodological approach is very much subjective, defends outlaws as helping us write our hidden transcripts of resistance in times of global capitalism where we want to create our own utopias as opposed to taken-for-granted assumptions regarding work, organization, market and economy. These hidden transcripts do not involve confrontational questioning of the powerful or transformative actions about the macro mechanisms that we mostly complain about, but they help us resist, survive and struggle against the oppression, domination and routine of workplaces.
Alternative business may be read through different lenses thanks to his playful approach of transcending disciplinary divisions and extensive use of various resources including books, poems, pamphlets, texts, songs and movies. In a very simplistic way, we can read the book as a history of crime in order to see the material basis and origins of outlaws that have been surrounding us for more than years.
We are referred to many historical texts and told of how the realities of crime turn into myths in time. In another way, by blurring the boundaries of disciplines history, economy, culture and ambivalent positions of outlaws legitimate-illegitimate, fact-fiction, co-optation-critique , Parker mostly characterizes the outlaws positively as the re-distributers of wealth and justice. Referring to the general script of Robin Hood explained above, he mostly puts outlaws on the side of the poor, the weak, the local and the innocent, and, against the powerful, the corrupt, the rich, the hegemonic, the evil corporation and even the state.
Hence, we can read the book as a cultural analysis of how we come to see the representations of outlaws as various products and outcomes of popular culture. While we see how outlaws become cultural symbols against power and authority that inspire the fantasies of the people, at the same time we are told how they are turned into sources of fun and lucrative commodities for corporations. In terms of inspiring fantasies, we also see how the representations of all these outlaws help us escape from the reality of global capitalism, in the shape of the routine and exploitative work and organizational arrangements of today.
In the discrepancies and paradoxes of the modern capitalist world, outlaws are our escape routes. And, sometimes, we want to be protected and secured with a family-like binding that would confront and challenge the injustices we have in these modern times. As a result of such a demand capitalism gives us all these characters as consumable commodities, however, by stripping of their ethics and politics of resistance. Yet, Parker argues, there is still a potential to study these counter-culture, even anarchistic, characters to question taken-for-granted assumptions regarding authority, hierarchy and domination.
This is where we come to our third approach. In a third movement, within a CMS perspective, we can assume that, by focusing on outlaw organizations, the book demonstrates how to approach alternatives as a powerful tool for critique. Actually this is the point where we see traces of politics and efforts on opening up a new space for interrogation of orthodoxy in management knowledge. With a playful language, while talking on outlaws in the front, actually, we notice the importance of thinking on possibilities of alternative forms of knowledge in business schools.
As outlaws are portrayed as anarchistic, rebellious counter-culture characters who have problem with authority and power, the legitimate and the established are problematized by Parker. Hence, the outlaws in the book become a sort of challenge for taken-for-granted and normalized structures including the state, the corporation and even management knowledge itself.
At that point one may also ask why we should care about violent outlaws as alternatives, or, how they can help us to transform organizational settings in real life. One may, furthermore, think of the book as an intellectual exercise of an established management scholar and question the contribution of such knowledge.
This is why he tries to justify his position in the first and the last chapters, as, of course, a subjective way of approaching outlaws as alternative business. As long as we see what we want to see in outlaws, Parker would like us to see the prospective hidden transcripts of resistance in the contemporary world of organizations and this is what the book is about. But, with an organizational perspective this is an obviously critical approach that helps question the orthodox assumptions and methods of studying and teaching formal organizations, particularly businesses.
Hence, Parker demonstrates there is no one way to understand organizations.
Therefore, the book and its characters do not just call our attention to the political economy of the popular, but also serve to the ideals of CMS with an anarchistic and alternative intention to challenge established management knowledge as of today. Overall, whether you like it or not, the book promises that outlaws, as actors of alternative business, have the potential to mock the realities we experience today in the name of work, organization, hierarchy and management knowledge, even though this potential does not directly turn into confrontational or transformative action and stay remain as our hidden transcript or fantasy.
Rainger, J. In The cowboy way, Edited by. We can easily read books on mobile, tablet, and Kindle. Call No.
There is always an alternative: Outlaws for contemporary resistance | ephemera
This paper offers an alternative to the speaking, these logos can be. Printablefile walter simons, to keep getting updates Alternative. Organized crime is a category of transnational, national, or local groupings of highly centralized Sometimes criminal organizations force people to do business with them, such as when a This subculture shares an alternative lifestyle, language and culture, and is generally typified by OutLaw Gangster Disciples.
On organised crime and outlaw motorcycle gangs. Consequently, doing business with Hells Angels or Bandidos MC was something that an organisational and cultural infrastructure for serious, lasting and extensive crime. Outlaws, Crime and Culture. Oxon: Routledge. Pullen, A. The operation focused on criminal syndicate and OMCG members and had registered business names with relevant criminal convictions and. Coming up, the powerful voice of a new singer on the alternative Latin music But in the book, you detail the back story of a life which led them to crime.
They have infiltrated it with undercover agents. They have hammered members with charges ranging from drug dealing to money laundering to murder. They have conducted mass arrests that resulted in dozens of guilty pleas, including one by a past president. Now, in a racketeering trial underway in Orange County, Calif.
The Mongols are equally mystified. The logo — also called a patch — is emblazoned on the vests, T-shirts and motorcycles of hundreds of members. For bikers, the patch is key to belonging and the optics of appearing tough, and members can spend months or even years proving themselves before they earn the right to wear it. Clubs have aggressively protected their patches from unauthorized use. They have usually been successful, reaching settlements that require defendants to cease using the trademarks and to recall and destroy merchandise, among other concessions. The Mongols have had their share of run-ins with the law.
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The group was founded in Montebello, Calif. Santillan said 11 new chapters were recently established in Texas. In Christopher Ablett, a suspected member of the Modesto, Calif.